Metaphor and Architecture

Metaphor and architectureMetaphor comes from Middle Frenchmetaphore ( Old Frenchmetafore, 13c. ) , and straight from Latinmetaphora, from Greekmetaphora † a transportation, † particularly of the sense of one word to a different word, literally â€Å" a carrying over, † frommetapherein † transportation, carry over ; alteration, alter ; to utilize a word in a unusual sense, † frommeta- † over, across † [ 1 ] .Using metaphors in architecture can be tricky at times as there is a really all right line between tacky and kitsch. This essay explore the application of corporal knowledge in architecture by utilizing metaphor and an first-class undertaking designed utilizing metaphor – Terragni’s Danteum which is a interlingual rendition of Dante’s Divine Comedy into architecture by beds of significance.From the debut, we get a little apprehension of what is metaphor. Before diging farther, we’ll explore metaphor more extens ively here. As we know in literature, metaphor is a medium in connoting things and objects that are different from each other but carries some similar feature between them. For illustration, ‘ Alice is a walk-to dictionary.’ ; this sentence does non intend that Alice is a dictionary but it means that she is so smart and knowing that she is like a dictionary that is ALIVE. In this instance, when we think about ‘dictionaries’ , vocabulary, book and cognition came into our head while ‘walking ‘ gives personification to the term ‘ walking dictionary’ . Arguably, Shakespeare has possibly the best usage of metaphor in his plants. In Sonnet 18, he uses summer as a metaphor for his love. From the above illustrations, we can see that the appropriate use of metaphor entreaties straight to the senses of the readers by heightening their imaginativeness. Therefore, metaphors give the readers fresh positions, thoughts and believing sing the topic .Barie Fez-Barringten one time quotedâ€Å"Metaphor is a accelerator which fuses memories, experiences and other manner of being ; it embodies within its ain peculiarity certain cosmopolitan symbols and constructs common to mankind. Metaphorically things, times and topographic points known to hold a discriminatory particular or localized usage in one context are explicitly employed in another. One familiar and one unusual term are normally composed into a individual signifier where one term usually used in one context is brought over into another with the usage of illuminating ; doing more apparent something in the 2nd sphere which otherwise remains obscure.†However, the inquiry sing how metaphor and architecture relates still remained unreciprocated. How can we plan with metaphor? Metaphors can raise senses such as sound, gustatory sensation, odor, touch and sight to the readers. Interestingly, there is a research sing corporal knowledge in Psychology which suggests that the senses mentioned earlier influences the manner worlds make opinions of the external universe. Now we can see how senses and corporal knowledge are connected to each other. By utilizing metaphors, we can determine and change the experiences of the people in our architecture by raising their senses.White, M.A one time quotedâ€Å"In fact, the relationship between physical experience and idea is a cardinal component in cognitive linguistics† . He besides said that the physical interaction of the bodily human being with his/her environment plays a major function in authorising adult male to build abstract idea.From the diagram above, we can see some touch senses and how people think and feel sing them. Let’s take an illustration, Light gives a feeling of insouciant, fun, high-tech, inexpensive, delicate.We can easy place architecture that relates closely to some of the properties mentioned above – SANNA – Rolex larning Centre.From the image above, we can see how white gives the edifice a futuristic feeling. The really fact that the edifice has an organic form and ‘not touching the ground’ gives an air of high tech magnificence. Although it doesn’t gives a inexpensive vibration, the slim and long columns and all other simple item decidedly makes it really delicate. The slender column back uping the roof, the form, the coloring material strategy made the undertaking really elegant. On the other manus, Heavy gives a feeling of importance, valuable and seriousness. We don’t even necessitate a specific illustration for this as it has ever been around us. We can frequently happen memorials around us which are normally made or built with rocks, marbles and concrete. In United States, the White House and Pentagon in a manner convey the political and military art of the state. Our really ain Cardiff University Main edifice is a really good illustration that gives people feeling of importance, valuable and earnestness. In fact, a batch of old political and educational establishment edifice shows weightiness and in most instances they are masonry edifice. The ‘heavy’ isn’t merely the physical weightiness as in weight, but besides the metaphysical solemn vibration that these edifices relay to the people. This clearly proved that the surveies about corporal knowledge is true, the head and the organic structure is inseparable.Continuing from the last paragraph, we can briefly mentioned the connexion of the senses – Light and Heavy to the stuffs used. As mentioned above, most old political and educational establishments are masonry edifices. Materials besides play an of import portion in raising senses. Let’s take an illustration, concrete.Coach: What type of stuff are you traveling to utilize?Student: Concrete.Coach: What type of concrete? There are tonss of types of concrete, from how you cast the concrete to the composing of the stuffs in the concrete mixture†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦ .I believe this is a instead common conversation between a coach and a pupil everyplace around the universe. At least, this conversation was my really ain experience during tutorial, and my coach has been teasing me to make up one's mind the type of concrete I want to utilize for hebdomads. A image speaks a 1000 words, so the undermentioned images would do the treatment easier to understand.The first image shows the church of visible radiation by Tadao Ando while the 2nd images shows the Brother Klaus Field Chapel by Peter Zumpthor. They are both churches and the stuff used are concrete. I think we can see how different they are. Being inside the church of Light and Brother Klaus Field certainly give the visitants wholly different feelings, we can see the importance of stuff, non merely the pick of stuff ( glass, steel or concrete ) but besides how we are handling the stuffs.The dramatis personae affects the textures ( smooth or unsmooth ) . The composing of t he concrete mixture affects the coloring material, texture and ‘heaviness’ of the concrete. All these small inside informations are things that designers can make up one's mind, and this determination plays a critical function in making the ambiance and raising the senses of the people utilizing the edifice.Forty, A. one time said that â€Å"Successful metaphors rely on the dissimilitude of things, non upon their similitude. The feature of an effectual metaphor is it borrows an image from one scheme of thoughts, and applies it to another, antecedently unrelated scheme.With the decision on the relationship between metaphor and architecture, we are traveling to analyze a undertaking called The Danteum. The use of metaphor in architecture has been taken to a whole new degree in Danteum. Although it was ne'er built, it is decidedly a undertaking worth analyzing. What makes Danteum successful is the beds of significances that surrounds the undertaking.Danteum is an unfulfil led undertaking commissioned by Mussolini’s Fascist government.At that clip Italy was ruled by Musolini. In order to set Italy back on the universe map as one of the strongest state, Mussolini for a literary chef-d'oeuvre of Italy’s olympian and canonized yesteryear as a representation of Italy’s illustriousness and asked Terragni to plan a memorial for Dante’s Divine Comedy. Danteum was ne'er built due to the diminution of mussolini’s power during World War II. The edifices take the visitant through a sequence of 3 different kingdoms: Inferno, Purgatorio and Paradiso. The Divine comedy can be interpreted into several distinguishable degrees as it is interlaced with the physical, societal, political and historical system.Terragni takes the visitants through different brushs in his proposal. There are four primary constituent in the Danteum: The entryway tribunal, Inferno, Purgatory and Paradiso.The image above shows the circulation way that can be taken. The visitant enters a long narrow tract and would hold to do a u bend into the courtyard. The atmosphere alterations from a more restricted infinite to a more unfastened infinite in the courtyard. However, the infinite diminishes once more as the visitant advancement from the tribunal to the wood of columns so to the three stairss. As the visitants pass through the columns and down some stairss, the sum of visible radiation in the infinites easy diminishes every bit good till they reach Inferno. The Inferno which is in a form of a aureate rectangle can be decomposed into seven squares with different floor highs. This is rather different to a conventional edifice where the walls are those that are changed ( holding window, nothingness or gaps of different tallness and size ) . The hell has a dark inside with light coming in through the narrow spreads. Then, the visitants would hold to travel up a series of stepss that leads to Purgatory which is a reminiscent of the abbreviate d conelike mountain island holding seven valances. From here, the infinite becomes brighter as they proceed from Purgatory to Paradiso. Part of Paradiso ( upper portion of Paradiso in floor program ) extends to the Empyrean while the other side leads to the issues.The ambiance in hell[ 2 ] Inferno[ 3 ] ParadisoDanteum is designed with compositional, numerical and descriptive properties from The Divine Comedy that form the plan of the undertaking. The spacial administration of Danteum adheres closely to the verse form. Alternatively of utilizing a actual interlingual rendition on The Divine Comedy, Terragni delved deeper into history and other metaphorical elements to connote elusive narrative of the verse form. In the image below, you can see how Danteum’s floor program is based on the Golden Section which was popular after the Renaissance period. There is 2 squares overlapping and shifted off from each other to organize a Golden Rectangle. This forms the margin of Danteum an d creates a threshold between the 3 kingdoms. The usage of Golden Section as a proportioning system besides generates the placement of the columns which is more obvious in the Inferno. The hell is decomposed into 7 squares where the columns were placed at the centre of a nested square within the Golden Section. The Columns besides diminishes in size, gyrating along the Golden Section. On the other manus, the columns in the courtyard are of the same size and array upon a square grid. The handling of columns in Danteum is unconventional in the modernist motion where the wall defines the kingdom while the columns dance in infinite which is different with the modernist motion.[ 4 ] Floor Plan and Golden SectionThe numerical properties of the Divine Comedy plays a immense portion in Danteum’s design. It besides influences the columns in Danteum where they denote the abstract construction of the verse form. There are 100 cantos in the verse form and therefore there are besides 100 columns in the Danteum.In the verse form, the imaginations of the kingdoms were described through topological constructions. The Northern hemisphere had landmass with Jerusalem at the centre whereas the Southern Hemisphere is covered with H2O. The hell – snake pit was created when Lucifer was thrown out of Eden when dramatis personae in the deepness of fire.This image shows the subdivision cutting across Inferno and purgatory. ( Inferno on the left, Purgatory on the right ) . Notice how Inferno is lower than the Purgatory? Since in the verse form, creative activity of Inferno is the ground why Purgatory is formed, mass of Earth from hell is transferred to Purgatory doing Inferno lowest portion of the kingdom ( snake pit is the lowest ) , back uping the Purgatory with mass from Inferno ( Inferno as a foundation of Purgatory ) . Purgatory is described as a mountain surrounded by H2O. The mass from Inferno made Purgatory into a ‘physical mountain’ surrounded by H2O ( As mentioned before, the South hemisphere is covered with H2O ) .Paradiso is the 3rd room sitting above the 100 columns ( the hundred columns is a metaphor for dante’s wood with light filtrating through the glass block above merely like how light is filtered by the foliages in the wood ) . It is constructed with grid construction, with 33 glass columns. The floor, beams, roof are all made from glass. The contemplation and refraction of visible radiation off the glass surface gave Paradiso a Ethereal feeling that one can easy associate and conceive of when one idea about Eden. The stuff pick for Paradiso made it a really light compared to the other relams. ( Refer to floor program ) , note that there is 9 circles in the center of Paradiso, the 9 circles are really glass columns stand foring the 9 domains environing the Earth, and beyond that sits the concluding place of God. In Paradiso, psyches are entitled a particular sphere harmonizing to their virtues.On the other manus , the 7 squares in Purgatory represent the salvation of the seven wickednesss. The roof has comparatively big nothingnesss to allow light into the infinite compared to Inferno. In the subdivision, observe how the land degree for Inferno is uneven and the slabs supported by the columns are non connected leting visible radiation to slice through the roof, they convey the rough landscape on Earth in a more utmost signifier harmonizing to Terragni’s text â€Å"The esthesis of the at hand, of nothingness formed under the crust of Earth and through a awful seismal upset caused by the autumn of Lucifer’ .BibliographySchumacher, Thomas L. , Terragni ‘s Danteum,2neodymiumedn ( Princeton: Princeton Architectural Press,1993 )Kanekar, Aarti, Metaphor in Morphic Language ( London: UCL,2009 ) Schnall, S. Are at that place basic metaphors? ( 2013 ) . In M. J. Landau, M. D. Robinson & A ; B. P. Meier ( Eds. ) , The power of metaphor: Analyzing its influence on societal life.Washington, DC: American Psychological Association.1hypertext transfer protocol: //www.etymonline.com/index.php? term=metaphor

An essay considering whether Romeo and Juliet Essay

‘Romeo and Juliet’ was a play written by William Shakespeare in 1595. William Shakespeare died on St. George’s day, 23rd April, 1616, making ‘Romeo and Juliet’ one of his earlier plays; written in what is now described as his second period, from his joining the Lord Chamberlain’s men in 1594 to the opening of the Globe Theatre in 1599. The diversity of Shakespeare’s work included comedies, histories and tragedies as well as poetry. ‘Romeo and Juliet’ comes under the category of a tragedy, tragedy meaning an event in which something dreadful occurs, or in a theatrical sense a serious play with a tragic theme, often involving a heroic struggle and the downfall of the main character. This definition of tragedy relates to ‘Romeo and Juliet’ because it is a play in which both the principal characters die in preventable circumstances at the close of the play. The downfall of Romeo and Juliet occurs by the fact that both characters start as young, beautiful descendents of powerful families and find themselves fleeing the city of Verona in fear of their lives and their relationship – both banished by the authorities or their own households. However, an alternative view could be developed by looking at the perception of the word tragedy when the play was written; in the late 16th century. People of the time were of the view that if something tragic were to happen it must happen to a person of innocence, otherwise it is not technically tragic. Romeo is not an innocent person because he takes the life of another person on more that one occasion, with the murders of Tybalt and Paris. Even though there is the argument that these crimes were a consequence of his obsessive and at times over-enthusiastic love for Juliet, they are still actions that take away his virtuousness. Juliet damages her purity by treating the wishes and guidance of her parents with contempt and disregarding the arranged marriage to Paris. These egocentric actions help develop another, more imperfect impression of the two protagonists which provides an argument against ‘Romeo and Juliet’ being a tragic play. In further illustration, tragic storylines generally end in unhappy circumstances, which on the one hand ‘Romeo and Juliet’ does with the many deaths, â€Å"for never was a story of more woe, than this of Juliet and her Romeo.† Whilst on the other hand it could be argued that a more exultant conclusion occurs by the fact that the long-standing feud between the Montagues and the Capulets is finally resolved through their deaths. Basis for this statement is provided in the final scene by Capulet, â€Å"O brother Montague, give me thy hand, this is my daughter’s jointure, for no more can I demand.† In Shakespearean times ‘Romeo and Juliet’ would have been compared to such tragic plays as ‘Hamlet’ and ‘Macbeth’ which were tragedies to the exact definition because they entailed stories of monarchs with flawed characters diminishing from the highest place in society to death over the course of the play. These stories fulfilled the public criteria for a tragic tale; a concept initially introduced by Aristotle, a Greek philosopher who lived from 384 to 382 BC. He produced directives for the perfect tragedy, concepts which heavily influenced academics and writers throughout Europe. He dictated that, â€Å"the tragic heroes of any play must be people of royal or other high-born backgrounds.† Therefore, ‘Romeo and Juliet’ can be argued against being a tragedy because the two central characters are not royalty or part of any particular hierarchy. Many contend that being young and beautiful puts them in a social position to surpass most to begin with, although this does not fit unerringly into Aristotle’s theory. Aristotle exactly specifies the protagonists must be of â€Å"royal or other high-born backgrounds,† explicitly kings or generals, which Romeo and Juliet are not. The aforementioned statement can be supported by the following quotation from act three, scene one, in which Romeo’s killing of Tybalt is analysed, with the prince announcing, â€Å"Immediately we do exile him hence.† The fact that he has been exiled prior to his death illustrates further the fact that he is at a low point in society. Additionally, Aristotle also expresses his belief that these high born protagonists should have fatal flaws which lead to their downfall. Romeo’s fatal flaw is his impetuous and spontaneous nature which causes him to act before thoroughly thinking about what he is doing and considering the consequences of his actions. An example of his rashness comes when Balthasar tells Romeo that Juliet is dead, not knowing it is a faked death, â€Å"hire post-horses, I will hence to-night.† Here he is saying he will return to Verona, which he has been banished from, without waiting for news from Friar Lawrence; an action, as the audience soon finds out, that causes his death. His hot-headed rashness develops into the fuel for his uncontrollable obsession for his love, Juliet; who herself is fatally flawed by her notorious and narcissistic disobedience which causes her to defy the instructions and beliefs of her family. Juliet becomes so caught up in the irrepressible ardour of her relationship with Romeo that she fails to see the outrage and hatred she is rousing from an already hostile feud between two households. An example of her defiance comes when her mother tells her of her arranged marriage to Paris, â€Å"He shall not make me there a joyful bride.† Here she refuses to marry Paris, which infuriates her parents, causing them to reject their daughter; and inevitably her character’s downfall as she is now shamed. These self-centred actions defiantly caused their demise leading to their death because if they both were to act with less haste when fuelling their love for each other then some of the consequences that occurred may have been p revented. Therefore, it is possible to maintain that Romeo and Juliet both suffered dramatic downfalls due to their own actions. On the contrary to this it could also be argued that as both their families recognised their lives by erecting statues of them, â€Å"for I will raise her statue in pure gold,† their characters therefore living on in a manner of speaking, meaning that their characters were not entirely degraded by their actions, thus rendering their characters not downfallen. Moreover, another notion primarily introduced by Aristotle was centred around the audience’s perception of a tragedy, and how this could be used to define a tragic play. He said that the audience should feel pity and terror, pity for the hero and terror at the importance of the gods. This relates to ‘Romeo and Juliet’ in the sense that the heroic characters are Romeo and Juliet themselves, whom the audience does feel a certain amount of pity for because of the unfortunate and seemingly preventable misfortunes that happen to them throughout the course of the play. Juliet is pitied for the fact that she is disowned by her family, â€Å"do as thou wilt, for I have done with thee.†

Cesar Chavezs Use of Antithesis and Diction to Portray His Beliefs on the Argument on Why Nonviolent Resistance Trumps Violent Resistance

Cesar Chavez's Use of Antithesis and Diction to Portray His Beliefs on the Argument on Why Nonviolent Resistance Trumps Violent Resistance Ten years following the assassination of Dr. Martin Luther King Jr., people still protested and empathized on behalf of his death, but labor union organizer and civil rights leader Cesar Chavez argues as to why nonviolent resistance, trumps violent resistance. Chavez is able to portray his belief to the people through his strong use of antithesis and diction, and while even alluding to a historical leader whose views and beliefs are still extremely well known today. Through his use of strong rhetoric, and specific examples Chavez is able to solidify his argument in favor of nonviolent resistance. Throughout the article, Chavez uses antithesis to contrast the cons of violent resistance, with the pros of his argument for nonviolent resistance. Chavez first shines light to one of the pros of nonviolent resistance when he claims that, â€Å"Nonviolence provides the opportunity to stay on the offensive, and that is of crucial importance to win any contest.† Chavez is trying to get the point across that it is better to stay on good, and safe terms, rather than â€Å"fighting fire with fire,† because that can easily get violent, dangerous, and out of hand fast. Chavez juxtaposes this idea of being civil and not, â€Å"fighting fire with fire,† with cons of violent resistance when he says that, â€Å"If we resort to violence then one of two things will happen, either the violence will be escalated and there will be many injuries and perhaps death on both sides, or there will be total demoralization of the workers.† Both the outcomes that Chavez portrays as a result of violent resistance are bad, and Chavez takes advantage of this situation in order to continue advocating for nonviolent resistance by soon after stating, â€Å"Nonviolence has exactly the opposite effect.† Chavez finally puts to rest his portrayal of the negative consequences of violent resistance after he says, â€Å"Violence does not work in the long run and if it is temporarily successful, it replaces on violent form of power with another just as violent.† This statement ends his juxtaposition against violent resistance, leaving the reader with a chance to think about the truth of this statement, and as seen through history this statement proves rather accurate. Chavez uses strong diction in an effort to persuade the reader to advocate for nonviolent resistance. When Chavez first begins to argue against violent resistance, he uses powerful words such as â€Å"escalated,† and â€Å"demoralization,† to describe the negative effects of violent resistance. The words have a negative connotation in the context that they are used, which adds to the argument against violent resistance. Chavez uses this diction in this specific paragraph because this is the first time he truly introduces the idea of violent resistance, and he wants to immediately make it appear bad, and negative. Another instance in which Chavez uses strong diction is when he uses the words â€Å"frustration,† and â€Å"impatience,† in order to express how he is aware of how people feel frustrated, impatient, and angry, but he follows this up by saying that is no reason to resort to violent resistance, because eventually things will work out. It is throu gh his strong use of diction, that Chavez is further able to leave a lasting impression on the reader as to why nonviolent resistance is a far more reasonable, and effective form of resistance. Chavez continues to argue in favor of nonviolent resistance, by alluding to Mahatma Gandhi, one of the most famous men in the world, who is known for his firm stance on nonviolent resistance. Gandhi was able to lead India to its independence without any use of violence. By alluding to Gandhi, Chavez is making an effort to prove to readers that things can get done without the use of violence, and the story of Gandhi shows just that. Chavez’s use of antithesis clearly portrays his reasoning as to how the pros of nonviolent resistance, outweigh the many cons of violent resistance, and through his use of strong diction, and an allusion that shows historical proof that nonviolent resistance is an effective strategy, Chavez is able to make a strong case for nonviolent resistance.

Rules Governing Accounting of Non-current Tangible Assets Under IAS Essay

Rules Governing Accounting of Non-current Tangible Assets Under IAS - Essay Example Besides the cost of asset IAS 16 has concentrated on the issue of cost of bringing the asset to location and the asset made available under present conditions of its operations as per management intentions. The important thing is that by prescribing this rule IAS 16 has put a limit to capitalization of expenses once the asset starts operating as per intention of management. Another important feature is that ‘employee benefits’ accruing during construction or development of assets as per intended use also need to be capitalized. Further, cost of testing any item of the asset for ensuring its functioning is also required to be capitalized. For example testing fee paid to a laboratory for testing the quality of a part of the machinery is capital cost during initial recognition. But when such cost is incurred after the operation of machinery has started, such costs would be treated as revenue expenditure. IAS 16 states that cost of dismantling and removing an asset and resto ration it where it is located should be capitalized. But the important feature of IAS 16 is that cost that is incurred subsequent to initial recognition on replacing or making an addition to such asset or its part should also be capitalized if such costs meet the recognized principles of accrual economic benefits to the entity and reliable measurement of such subsequent cost. This is clearly the departure from earlier practices of capitalization of assets. When an asset is acquired in exchange of other, the rule is to assess the fair value of both asset and if fair values of the asset given up can be assessed reliably, then that would be the cost of the exchanged asset. But if the fair value of the new asset acquired is more evident, then fair value of such asset would be used as the cost of the asset. However, there is another possibility of the use of carrying value of asset given up as the

Contemportary Developments in Management Essay Example | Topics and Well Written Essays - 2500 words

Contemportary Developments in Management - Essay Example This essay stresses that the high technology firms like Microsoft, Dell, Cisco, PeopleSoft, Oracle, Accenture, Ernst & Young and IBM, were under pressure to reduce costs. In the beginning of the 21st century the labor market was relatively poor. The business success of the large and medium corporations in the US is largely dependent on the consumer. Thus because of poor labor market, there was a downturn in the stock market. Investor sentiments were low and firms experienced reduction in trading volume. This affected the demand for computers and ultimately put pressure on the high technology companies to reduce costs. This is how offshoring increased during this period which was considered to be exporting good American jobs to low-wage nations. This paper discusses that the protectionists in the US allege that job losses are inevitable. The US high-technology industry is increasingly reliant on sub-contracted, non-unionized and illegal labor as well as exploitation of cheap labor in third world countries. The authors allege that the industry is centered on profit maximization with little or no concern for the nation. Based on various theories and business models, studies suggest that offshore outsourcing is preferred to domestic outsourcing or vertical integration of the firm. Global integration provides further reasons for outsourcing like thicker markets due to combining of economies.

Causal Argument Essay Example | Topics and Well Written Essays - 750 words

Causal Argument - Essay Example Some ladies turn to prostitution because of the company they join at their middle age. Others engage in this social evil because they want to overcome some sense of rejection they may have gone through. Prostitution has been used as a means of economic gain by some people while some others have engaged into it as a means to their own pleasure. Some countries have allowed the commercialization of sex, and they tax women who practice it. However, prostitution has faced a lot of criticism from many other people. Many people have indulged in some other evils to avert the criticism and stigmatization they have faced as prostitutes. Some of the prostitutes have resorted to drug abuse, which poses a serious health concern. The role of mentors in shaping the behavior of these women is questioned when they indulge in prostitution. In many cases women have resorted to prostitution as a result of constraints they have gotten in obtaining their based needs. When they are not supported at family level, these women tend to look for alternative sources of their needs’ satisfiers. Men assume the provider role to provide for the women. Mostly, this role is associated with entitlement to sexual right (Jewkes et al. 8). Women who get the provisions from these men feel that the best way to reciprocate the favors they receive is by giving sexual favors. Culture has shaped the mind of people so that they view the only way to respond to male provision as a woman is through sex. Culture has promoted the prostitution business for it has tagged a high value for exposure to sex. Many women that engaged in prostitution have said that they were victims of child sexual abuse. The urge that is in men for sex has driven women to be victims of this sexual business (Murphy 778). Prostitution has existed because of cultural factors that define gender relations. These relations have indicated unequal treatment to both men and women. According to International Labour Organization (12) women in Thailand preferred prostitution as a way to protect good women from rape. They saw that this acts as a means to avert men’s sexual power. According to study done in South Africa (Jewkes et al. 8), women engaged in prostitution because of the economic pressure they were going through. Women engage in sex for them to meet their material wants. Women conduct sex for material exchange to cater for their unmet needs. In South East Asians nations, many of the prostitutes are women who have either divorced or are single. The result is because in most of these nations women are the bread winners. The families in these areas are characterized by abject poverty. What resulted is that families break leaving younger ladies in their families. These families continue to depend on these young ladies who therefore resort to prostitution (International Labour Organization 12). In Russian area of Saratov, people who practice prostitution are not tolerated. Male residents of Saratov argue t hat women who engage themselves in commercial sex should not be shown any respect, understanding or even love. In South Africa, a group of men who responded to a research affirmed that the women who avail themselves for money are unworthy of respect. The results indicated that men who had sex with prostitutes have had at one time been engaged in a violent criminal activity. Prostitution continues to thrive as a business because men are paying for it. Although it is considered

The Arts and Architecture Essay Example | Topics and Well Written Essays - 2250 words

The Arts and Architecture - Essay Example As Walter H. Godfrey (1991) rightly puts it: "...architecture is the crystallisation of history. All the arts, to a large extent, depend for their growth and encouragement on the broad movements of national life, which have their bases in profound historical conditions or great political events. But the connection between these things and architecture is more intimate, more direct, and infinitely more obvious even to the unskilled observer than in the case of, say, literature or painting." (p. 2). The first forms of architectural designs can be traced back to the early Greeks in the Hellenistic period and architectural festivals that celebrated the rich cultural heritage of the nation is a recent development in Europe and the Western World. The paper here tries to analyse the various events that are held during the London Festival of Architecture and try to unearth the cultural and national significance for the event among the audience. The paper tries to analyze the London Festival of Architecture and to bring out the major theoretical aspects regarding the growth of architecture in London. The London Festival of Architecture is celebrated in each summer and this year it has taken place recently from June 20, 2008 to July 20, 2008. The festival is regarded as one of the best festivals the nation has witnessed as it offers myriads of opportunity for the spectators both for enlightenment and entertainment. Like any other architectural fest, the London Festival of Architecture unearths the best form of artistic perfection of the past generation and all the architectural monuments have a different story of culture or myth associated with it. They are reminiscent of some of the most important cultural and historical heritage and as such they have got a lot to offer to the spectators. The 2008's London Festival of Architecture offers to provide fresh outlooks to the onlookers as its theme is FRESH: "The theme of this ye ar's festival is FRESH and organizers are exhorting visitors to take a fresh look at London, to indulge in fresh thinking, to enjoy the fresh talent on show and the fresh air of the walks and rides." (Williams). The festival is located in the central London, providing easy access to the many visitors who witness the festival. Content: The London Architectural Festival consists of a variety of programs, each of which focuses on one architectural monument or other. The major highlights of the festival include the LFA Clerkenwell & City of London Hub walking tour 1, LFA Clerkenwell & City of London Hub walking tour 2, Barbican flat tours 2, Barbican Screening : Garbage Warrior, Barbican Screening: The Rural Studio, the Brazilian Architecture in the 20th Century, Building the South Bank, Embodied Energy: Dance at Carter Lane, Fresh Views of London, 24 Hour Film Competition: Prize Giving, Green Sky Thinking, Roman Fort gate, and the Digital Architecture Film Showcase. The London Architectural Festival covers architectural monuments like the City Information Centre, National Portrait Gallery, Liverpool street station balcony. Aim: The aim of the paper is to analyze each event in the London Festiv